madshutterbug: (C) 2005 S Grossman (Stalking_Elusive_Photograph)
Been reading here a while? You'll recall the occasional post where I emote over what web-based image hosting provider should I use. As is, I currently use three point five, with the point five being LJ itself, though it's been quite some time since I put anything into the Scrapbook here.

The largest body of photographic work I've got hosted on-line is through Flickr. This is the one I pay for using; there's some history behind that, and it could still change, and blahblablahblah. It remains, this is the largest body of stored work. Changing off this will result in a lot of 'broken link' images in the photo-blogging I've been doing here.

A few years ago, I started investigating Deviant Art. DA keeps nagging me that I need a premium account, and I keep ignoring their nagging because their rates are somewhat (noticeably) higher than Flickr. I also told myself I'd be a bit 'stricter' with myself posting to DA, in part because the ability to limit who sees ones work is somewhat less than what Flickr provides. On Flickr, I can 'filter' who sees work by declaring someone a 'Friend' or 'Family'. Then one needs to be either, and have an account on Flickr to be so tagged. On DA, I can set a level of image that will require someone to be a DA account holder and logged in, but not to my knowledge much more than that. If one isn't a DA member, you can still browse over to the DA site. What you will see for those 'Mature Content' images will be a place-holder image.

All of the above is side-line as it were from my subject, and still applies. Flickr keeps twiddling with the setup. Surprised? Shouldn't be, so does LJ, and most other blogging sites, eh? Anyway, I posted some recent work to DA yesterday, and this morning to Flickr planning on posting to here with the latter links.

Except the page wasn't acting in the manner to which I'd become accustomed, and I couldn't grab the html coding for the photos. Should be able to, couldn't. New buttons in place to make it easy to share via e-mail, share to LiveJournal, and to Facebook. Then a drop-down arrow, which is what wasn't working. The Share to LiveJournal wouldn't let me use it, saying I couldn't because the photo wasn't public or not flagged safe.

What artwork is safe? That's a whole different question. For much later. But hey, when did this button come along, and is Flickr a 'whitelisted' site, I wonder? Another whole different question, for later. Right.

So I went to the trouble of gathering html coding to link to the DA postings, then tried logging back into Flickr and hey, now I could grab the html coding to link to those images. So. Well.

About a week and a half ago, I worked with a model new to me, one MordsithCara on Deviant Art, Chelsea on several other photography/modelling related sites. I came across her work on two separate sites more or less the same time, and on one of them decided to view her profile. There, I learned she currently resides fairly close to teh Ranch, making an artistic partnership possible. I contacted her, she proved interested, and we worked. We set up a date with two options, one outdoors for good weather, one indoors for inclement weather.

On the day, the weather proved quite clement, some overcast, 'partly cloudy', nice sun. The theme for the outdoor session was Dryad. Dryad are tree-spirits, specifically from Greek mythology and even more specifically, primarily of oaks. I suspect this means there are other **ads for other trees; I know there are others for water and such.

The location for the session is teh Ranch, where we enjoy several copses and stretches of North Central Baja Jorja live oak and laurel oak trees. We set out walking about the place, and since most of where I wanted to shoot is over on the east side of teh Ranch, where the cows live, we perforce went where the cows are. Mostly they ignored us, though they did come to see, while we worked fairly close but not right by the gate/fence, if we would provide any food. Not having any, they wandered off. We did keep an eye open, though, as this particular day was the day after the evening one of our cows didn't show for dinner. Since we knew that cow was pregnant, I figured that to be because she was calving. She was, though probably delivered, actually, early in the morning of the day we shot. We kept an eye out for her and her calf because we didn't need to disturb them.

Quite a bit of work later, and I've rather a good collection of pieces to keep working up for show. Being made with a digital SLR, they are all colour images. Being that I've been seeing these concepts in B&W, I've been working them over to that. Some I may leave in colour. Some, I may leave a little bit in colour.

These are not in Colour. Nor are they WorkPlace Safe. For most definitions of WorkPlace. )

So. Credits:
Model, Make-up Artist, Hair Stylist: Chelsea Christian, MordsithCara
madshutterbug: (C) 2005 S Grossman (Stalking_Elusive_Photograph)
Monochrome, so two today. One of these as I told the club I believe fits their definition for Nature, summarised as Nothing By Man In Picture.

Mitre Peak, Milford Sound, New Zealand )

Yes, you've seen this one before. Also,

Portrait of Kendra )

And yes, you've seen this one before too. I mentioned a lot of these are already on the Pic'o'Day list, since I cheated a bit by using archived material. Too many other things happening in a short time. Some of this is working to two different camera club themes, and that's part of the 'check 'em out experiment.' Some is also working up pieces for the Con show coming up, and I need to get those off to the printer. Some is work. Nothing over and above what y'all usually hear, and work still eats up at least 9.5 hours of five days a week, not counting Stay Late. Which is Tomorrow. Which is another reason to post two pics today. Feh.

And some ... well, I guess I'm not still quite ready to talk about that. Friday. Maybe. Meanwhile, Houdini is telling me it's time to go feed Cows and Horses, because then (of course) we feed hungry Border Collie Bros. So I guess I'll be doing that soon.

High Key

Sep. 2nd, 2010 05:25 pm
madshutterbug: (C) 2005 S Grossman (Stalking_Elusive_Photograph)
Portrait of a Woman: monochrome/B&W )

Another portrait re-worked a wee bit for High Key next week with Camera Club #1. I've also taken this one to monochrome, so I might have two entries for Colour, and two for Monochrome. As for the 'Creative' category, which is for 'non-photo-realistic work', I am not sure I understand the club stance on this any longer. So I'm just watching that group for a bit.

[Poll #1614237]

High Key

Sep. 2nd, 2010 05:17 pm
madshutterbug: (C) 2005 S Grossman (Stalking_Elusive_Photograph)
Portrait of a Woman: monochrome/B&W )

Another portrait re-worked a wee bit for High Key. I've also taken this one to monochrome, so I might have two entries for Colour, and two for Monochrome. As for the 'Creative' category, which is for 'non-photo-realistic work', I am not sure I understand the club stance on this any longer. So I'm just watching that group for a bit.
madshutterbug: (C) 2005 S Grossman (Stalking_Elusive_Photograph)
Mirror to Silhouette, Mirror to Silhouette, Come In Silhouette... )

In other news, worked today. Home now. Houdini happy. Dinner time. Om nom nom.
madshutterbug: (C) 2005 S Grossman (Stalking_Elusive_Photograph)
With a bit of help from slave2tehtink who pointed me towards the means to easily obtain the html coding to post the Pic'o'Day...
Ghosts For The Attic )

This one went into the Camera Club competition/critique group as well for Silhouette. I plan to use the basic image as a building block for a ghostly apparition in Tudor House. Well, I plan on using several of the variations of this them for that purpose, this is only one of them.

No poll today. Tired, got a mild headache. I think that's because Houdini is mad at me for not being here when there was thunder.

Also, today is Herself's Hippie Birdbaths!
madshutterbug: (C) 2005 S Grossman (Stalking_Elusive_Photograph)
I've actually felt quite a disturbance in my wa not being able to post the Pic'o'Day this week. Due to circumstances, yes, including five and a half hours overtime yesterday. Still... yes.

Abandoned )

The tractor is mine, and while the title reflects what I saw, it was not and is not actually abandoned. It is a 1951 Ford 8N which I use somewhat regularly on my small corner of the world. The photograph is from a test-roll shot with my Mamiya C330 while preparing for a major trip. This photo is post-processed to convert from colour to B&W, since the test roll was to determine did I like Fuji Provia 100 transparency film. I determined that yes, I do, and so took 30 some rolls with me to New Zealand. Purchased another dozen while there as well. That trip also saw me using about the same amount of black & white film, and a few others by different manufacturers. Provia 100 provides a marvelous base image for display, either direct projection (it is a colour transparency film) or printed.

This image obviously is processed to B&W. Another experiment with that process. Curves adjusted somewhat first, then desaturated. Not a part of the Mirror project, and yes I am still looking forward to feedback. Astute observers may well see the (exact) similarity, other than the process to B&W & some cropping, with my LJ icon titled "Harrison".
madshutterbug: (C) 2005 S Grossman (Stalking_Elusive_Photograph)
WW2 Monument at Night, #2 )

I will be interested to hear from y'all how this one fares as B&W after the previous attempt.

Also, I'm still looking for the note I brought home (not from the teacher) which attempted to 'clarify' the theme, explaining this as part of the Mirror theme concept: the reflecting surface, and the object reflected included in the photograph. Even with that limitation, I'm leaning toward including yesterday's post. However, I may not as the objects reflected in yesterday's post are not also included in the photograph.

In this one, yes, the object & the reflecting surface both; and more.

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