madshutterbug: (C) 2005 S Grossman (Stalking_Elusive_Photograph)
Ishidoro )
madshutterbug: (C) 2005 S Grossman (Stalking_Elusive_Photograph)
So Camera Club #2 (as I call it) meets on the third Monday of the month. This month the theme for the submissions is/was Panorama. These are wide format images, either composited, 'stitched' together from several frames (or many frames in some instances) or cropped to the panoramic format which is landscape out the ying-yang, or possibly photographed using a panoramic camera. Those beasts are interesting devices, where the lens pivots on a central point to expose a strip of film to the wide-format landscape (usually) to be recorded.

I've done two variations on these. Compositing, and 'faux' or cropping images to that long, slender, wide format. Not all the images I submitted this month were panos, in fact, only two. I did learn that since the second 'category' in the submission rules is 'General' it is possible to submit a few more images to the overall theme. Store that for next time. I didn't put in any of my 'faux' panos, though I thought about it for a bit.

Panorama #1: Lake Chelan, Washington )

Panorama #2: Storm Over Paddock )

Now, on to the other portions. First, the General Three:
Lyre, Lyre )

Gathering for the Photo Walk )

Architectural Feature )

Popper Aussie Getting a Close-Up )

Take Off )

There are more from the Naples trip, of course. These are simply the ones I put into the show on Monday.
madshutterbug: (C) 2005 S Grossman (Stalking_Elusive_Photograph)
From a Quieter Time )

Castlewood is the name of the house, built early in the 20th century in Dunedin, New Zealand. The original owner was a lawyer; after his death the home went through several incarnations including a home for troubled youth. When we visited there, Peter and Donna ran the place as a Bed & Breakfast. Marvelous place, wonderful visit, excellent people. They've since retired from the B&B business.

The filename on the scan is 20010910_120_2-05: Date, Type Film, Roll# & Frame. So 10 Sept, 120 film, 2nd roll, 5th frame. I'd kept a notebook during the trip listing notes about exposure and actual date/time for each frame. That notebook is hiding somewhere around here. I remember clearly that the date is for when I loaded the roll into the camera; often rolls were finished the day after. This is the case with this photograph, made on the morning of 11 September, '01.

Keep in mind the International Date Line; over in New York City the date when this photo was made was still 10 September. So everything I photographed on 9/11, for us, is a day before the 'Day the Earth Stood Still'. (The quotes reference a 'Writer's Block' prompt over on LJ.)

Peter, our host, also a painter walked up the stairs while I made a series of photographs of the landing window. He recognised the twin-lens format camera for what it is and we started talking art and media and techniques. He invited me into one of their private rooms to photograph another stained-glass window, and later during our stay I photographed another one, downstairs in the Butler's Pantry and the Study (also used as the Breakfast Room during the B&B incarnation of the house). Then Herself and I set out to explore Dunedin, and take a scenic train ride up the Taieri Gorge.

Memories of the date now known as 9/11 are, for me, always a bit... blurred, not confused, firm, and still blurred by that whole thing involving the International Date Line. Our room in Castlewood faced east, overlooking Otago Bay. I woke before the alarm went off the next morning (yes, even on our holiday we set the alarm... things to do, places to see! Set for a reasonable hour, though, not before the crack of dawn), and picked up the camera to photograph the sunrise over the bay and city. We learned about what happened when the radio alarm came on - and most of what happened did occur after midnight, our local time, so on 12 September for us. Blurred into two days by an international convention for when does the date change, anyway?

It's a jumble, then, my memories of where I was, what I did. Which day is the day? Which memories? The day we woke up gradually, enjoyed breakfast, then photographed a few interior features of a Tudor-style/Craftsman-style house before walking about and seeing some interesting scenery? The evening of the most excellent meal in an outstanding restaurant named A Cow Called Berta? The morning after that day and evening, also waking gradually and enjoying a sunrise? Later that same morning, watching the events on the telly which Peter brought down to the Breakfast room? Because in all the public rooms of the house (including the guest rooms) there were no televisions, only their own personal one in their private rooms. Their philosophy as hosts at a B&B stated that while on holiday, their guests should be able to avoid any of the distractions of the work-a-day world.

Except, this one. This one hammered and echoed and rebounded around and around and around the world, no matter ones viewpoint, that it was about time, that it was the most horrible thing ever. So this date is blurred and coloured by the light streaming in through stained glass windows made around 1912, windows which tinted the view of history through two World Wars and a dozen other wars between and about, windows which now are a part of my life.


Jul. 31st, 2010 08:30 pm
madshutterbug: (C) 2005 S Grossman (Stalking_Elusive_Photograph)
Trusses )

One of the things I like about a lot of church buildings (regardless of denomination) is the roof structure. Because one of the ideas is to provide a 'vaulted' space to raise one's thoughts and spirits (yahdi yahdi yahdi) the roof structure is often left open. This provides an excellent view of the trusswork supporting the shelter.

Thunder today. Houdini in the lap.


Jun. 29th, 2010 05:39 pm
madshutterbug: (c)2009 by Myself (Default)
Definitely work safe... Definitely )

I suppose it could be considered a submission to a con art show... just not sure which con. Well, that's sort of spinning off yesterday's post. Interesting results from that, thank you.

Oh, and Firesmith? Picked this one because it was raining and cool in the place and time.
madshutterbug: (C) 2005 S Grossman (Stalking_Elusive_Photograph)
WW2 Memorial District of Columbia Night )

I'd finished up with AORN Congress earlier in the day, and done a walkabout in the afternoon/early evening for some other photographs. Then checked out of my hotel, met some new friends, and headed out for dinner and a bit of a walkabout after dark. After that, back to the hotel to pick up bags and we took the Metro to the end of the line, and the Weekend Immersion in Art started.

Or, I suppose, it started earlier when we all got together and did the walkabout.

Tripods are handy, and many these days are lightweight. Though I'm not sure the one I took is the newest; may of been this trip that started showing the other to be near the end of its service life.
madshutterbug: (C) 2005 S Grossman (Stalking_Elusive_Photograph)
Night Time in Tudor House )

Looking down the stairs. Single light source to emulate light coming from the fireplace in the Great Hall.


Not feeling terribly talkative this afternoon. I attribute it to Daylight Stupid Time changes.
madshutterbug: (C) 2005 S Grossman (Stalking_Elusive_Photograph)
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