madshutterbug: (c)2009 by Myself (Houdini&I)
We are now the owners of a John Deere 2210 Estate Tractor. The last two words are Herself's description. I like them, however, as it is accurate in my mind. Much heftier than the El Toro Yard Tractor Mower, not so hefty at all as Harrison Ford 8N Tractor, who still abides in a tractor coma, basic life support continuing until we can resuscitate him. Resuscitate him we will, for we need the services of his heft as well.

Indeed, the individual we purchased the Deere from (along with attachments, more later) makes a living working on yard tractors up through the heavier ones. Just now, in the Merry Month of May, he's quite busy with the yard maintenance crew, getting their beasts tuned up for the Summer Season. He looked over Harrison while here, made a couple suggestions for the coma maintenance, and said he'll be happy to take on the rest of the mechanical resuscitation later, when the Summer Season is winding down. Say, September.

Meanwhile, we now own a functioning tractor, with useful implements. A front end loader, which is specific to the new beast. Two hole augers (15cm & 20cm) and a plow attachment. The hole augers will also mount and work on Harrison Ford 8N.

It is diesel powered, which means another fuel storage. Not a big deal, though, and already obtained one fuel carboy in Yellow. On this side of the Ponds, petrol (gasoline) stores in red, diesel in yellow, kerosene (paraffin for the UK folk) in blue. We've some kerosene about for lamps when the power fails, and petrol for both tractors plus others as needed. Now we've some diesel as well.

State of the Studio

Not a lot of much, at this point, as we've been catching up somewhat with things needed about the House or the Ranch. Did fit in a short session with a model new to me, outdoors here on the Ranch so around and about places photographed before. I still enjoy photographing those places; one copse possesses such a fairy ring feel, others filter the light delightfully. On the other hand, I'm proving to myself I'm definitely getting to the point in my shooting career I need to think very hard on camera support. Lot of motion blur in this session, and likely the majority of that is my moving the camera.

Now, I did choose a lower ISO in part because I've always shot for maximum sharpness. No, not that exactly, as I did (and do still on occasion) push things for the grainy (in film) noisy (in digital) feel to the image. However, since I like making Big Prints, sharpness becomes an issue unless things are planned to use that blur.

Tripods are the first answer coming to mind, and I opted not to bring one with me on the walkabout. There are a number of tripods in my inventory, older, newer. I use two in particular fairly regularly, a moderately lightweight one for the walkabout, and a heavier one which I acquired from Clyde, Herself's father, when I purchased a then-old video camera after he upgraded his equipment. (Note: from that purchase, the tripod is still in service. I've not tried the video camera for a long time; it is designed to work with a separate VCR recorder, eh. There is also a steel hardshell case for the camera and a couple accessories. I should pull that out and look to refurbishing for other uses.)

I did bring my monopod on the walk, didn't use it as anything other than a walking stick. Why not, eh? Well, the monopod with the camera mounted is a one-position only shooting support. I've put one of the older tripod pan heads onto it before, moved that head back to that tripod. Might re-think that position, as the older tripod it comes off is not being used much as is. On the other hand, I'd like a somewhat different head than that one for the monopod. Do want a head on the monopod, because then I'd be more likely to use it... and it appears I really do need to use it.

That's the summary of things up to today. Oh, new roof work on the Big House is nearly complete. Yea! It's already complete enough that recent rainfall demonstrated the new roof will be a big improvement in life. The metal roofing extends past the eaves approximately 7 cm, and water run-off is far less likely to spatter back onto the side of the house, which means also less likely to spatter back into open windows. Which means in the times of year we leave windows open because temperatures & humidity are generally nice, we're less likely to get splash if a rain comes along and we aren't home, say.

Along with the metal roof itself (and the total re-decking we did underneath that) the roof vents are different from original manufacturer. Any and all houses need venting for the under-roof (attic) space. Moisture builds up simply from humidity, and without venting will start to rot ones house from inside. The original vents, five each half of the house, were 10 cm holes covered by mushroom caps, off ridge because hey, House did start off as Manufactured Housing so transported to site by halves. The new vents are rectangles, and the venting hole itself is 15 cm by 75 cm so they move a whole lot more air. Our roofer (happens to be a friend of ours long standing, I will happily provide name and contact to anyone Baja Jorja local who needs such work done) also installed flexible duct from the bathroom ceiling fans (three total) up to the off-ridge vents. This accomplishes the ventilation of the bathrooms without adding another hole through the roof! Fewer holes in refurbished new roof! Woohoo!
madshutterbug: (c) 2011 by Myself: Zone VI 8x10 view camera (View Camera)
Up bright (no, not actually) dark and early yesterday, loaded truck and on the road by 06:30, and about an hour to get to Windsor. Wee bit of grumpiness early, it passed. Probably shouldn't even have grumped then, oh well. Long day, and as far as Studio 318 is concerned no sales. However, the Ranch half of the booth did exceeding well with sales of goat milk fudge and goat milk soaps.

A light steady rain for a short period came along around 15:00, and whump vendors started packing up to go home despite another two hours to the festival. We stayed put; I dropped the outer walls on the two sides with art, and moved the jewelry display under the roof. Ditto for the soaps, and we weathered things fine. I saw several other vendors who obviously do weekend festivals a lot, and come with that underlying philosophy (often stated outright on the application forms) that it's rain or shine the show goes on. You paid your booth fee, you stay.
And while the crowd thinned down some from the rain, sales continued, particularly of the fudge, up to and after the end of the show. Now, by the 17:00 time slot, probably half the vendors had left already.

So we packed up, and covered the back of the pickup with a tarp and put the corrugated board boxes with framed artwork into the Subaru. Herself arrived shortly after the rain, so between 15:30 and 16:00.Good thing, too, because on the drive home we drove into the serious rain, which the forecast said would get to us around 19:00 and it arrived maybe an hour early.

We all went to Las Aviñas in Archer for dinner, not a big decision really since we all live to one side or the other of Archer and so we all were going there anyway. Good dinner, then home, left the truck covered for the more rain through the night and did a hot tub soak and crashed. Hard. Didn't wake until nearly 07:00 this morning.

Luxury.

Now, the Windsor Zucchini Festival is several things. Primarily it is a fundraiser for the community of Windsor to fund their volunteer fire department; besides the vendor booth space sales, they also sell chicken dinners and lunches, all involving a zucchini dish of some sort, and zucchini bread, and there are the Cook-a-Zucch contests, and of course Miss Zucchini. For these reasons alone, being a vendor (very specifically, the fact that it helps this community fund their fire department) is on the list of Things To Do again next year. Even if, again, Studio 318 doesn't make any sales. We did last year, so there.

It is also the last even we've been doing before the Summer Hiatus. Last year we did a brief stint at Bronson's first ever Fourth of July Festival; we may set up the Ranch booth this year if there is a repeat, I won't be setting up the Studio however. There is a reason for the Summer Hiatus here, and that is the combination of heat and humidity. Given time and research and experience, there may be some summer festivals we'll try our Studio booth at. Those are very likely going to be on the coast, where sea breezes help with the heat and humidity.

Here in North Central Baja Jorja, though, it's time to settle in to a more relaxed pace. There are still things to do, and get done, and outdoors, just... slower.

It's time to get moving on a couple bigger projects here on the Ranch. The back deck of Studio 318 needs to be re-planked, and the roof enlarged. That's one of them.

It's also time to review all the lessons learned in nearly two years of setting up the Studio Pavilion at weekend (and some week-day) festivals, and tune things up. During today's drying time, I made measurements of the pavilion for revamping the support system on the Art Display Walls. The walls themselves are made from shade netting fabric, purchased at Lowe's. They're holding up well enough, showing some signs of their use, and we've thought of a couple things to improve them for the next go-around. (That is, if we don't decide we are bringing in enough funds to justify purchasing the commercially available net style display walls... though I'm leaning towards the Do It Yourself variation again.)

The two side walls get the most art anyway, as that is what is most visible when people walk by. The current method of a single schedule 40 PVC tube as the weight distribution member across the top, with the primary anchors being loop and ball bungee cords, will continue to serve. However, the nearly two years of service on the current PVC tubes show a couple small problems.

The tubes are two parts, half the length of the side, so they will break down for transport inside the Subaru. Been using the slip fit which came with the tubing; this works, but it's stiff (supposed to be when using the tubing for plumbing, its primary purpose) and as the tubes aged, one broke. So I'm going to re-do these, still half the length, only with a male/female threaded coupling at the half-way point so they will thread together. Should be easier to both put together and break down for both of us, primarily Herself.

The back wall needs a revision. We knew other artists used a partial wall on the back side of their pavilions, and now from the three bigger art festivals we did we agree. Need that 'back door' to get out that side, as the place where most the extra stock and our lounging area is. So that wall will get a frame to tension the wall onto, rather than going to the poles of the pavilion itself as it has been. The tension is necessary because that's an important part of the weight distribution in our hanging display system.

I may also look at that experiment as a means to provide our own free-standing walls if we need them. So the frame will be something heavier than the 19mm (3/4”) PVC we're using for the top bar. This piece may not break down, or not the same way, so it's going to take a bit of thought. To convert it to a free-standing wall, I plan on using the same male/female threaded coupling to attach the feet.

Along with the redesign of the back wall art display, we're also figuring a means to support the back weather wall as a shade fly when we're set up at festivals. Get some rain and overnight, things move inside the main cover and the back wall comes down as the weather wall again; most of the time, however, it can provide shade for us sitting out back as needed.

Most festivals stipulate that the booth space is it, and the artists displays need to fit within the space. A lot of them, though, provide enough space behind booths for a bit of stretch. When we need to live within the space, we'll have a full wall. When we can stretch a bit, we shall.

If I call my Festival Year starting in September after the Summer Hiatus, and counting the con art shows, we've done seven shows, and sales at five of them. Counting just from New Years, we've done five shows, and sales at three. Two of those shows we made expenses, one we also made some profit, and one we didn't make expenses even with the sale. If we figure how well the Ranch Booth half of the show did at Windsor, than we made expenses and some profit at two, expenses at three, and et cetera. Not too bad, overall.

There is still a stack of prints which need mounting and matting, however tomorrow I should be clearing the decks in Studio for a session. After that session I will re-set for matting until I get that stack done. Meanwhile, in between all this I'll continue working up the greeting card ideas. May be able to offer those as a test via the blog, if anyone is interested.

Now, it's getting on evening here. Evening Rounds are done. The Bros got a flea bath today, which they tolerated because hey, it also involved several rounds of Hose! Chase the Wet! Amazing how inexpensively one may entertain themselves with a couple of Border Collies. Also useful to use their pleasure at playing a game where they chase the water coming out of a hose to tire them out.
madshutterbug: (c) 2011 by Myself: Zone VI 8x10 view camera (View Camera)
At least until late afternoon, when the sky began to clear and sunlight came through.

Memories

My new printed cheques (the corrected versions) for the Studio account arrived on Friday. This morning I started going through an old wallet, examining it to determine the remaining serviceability in the old leather and cloth. I knew I'd used it some time ago. This one holds a photo sleeve, with an old portrait of Herself (by a professional studio, not me), a godson, a niece (now estranged) as a baby, and other information.

It also holds memories from the 2001 New Zealand trip. Sixty-five dollars in NZ cash, a receipt for my opal bolo tie & slide, notes made at various points including the work and home phone number for the sister of my nursing acquaintance here in the States, receipts from the National Bank when we cashed travelers checks, business cards for a few local business in Chch. Oh, and my old USN Fleet Reserve ID card.

I will likely leave it to continue serving as the time capsule it is, rather than start using it as the checkbook wallet for Studio. However, this decision may change. And, there are things in there to be used, somehow, in the creation of art.

Meanwhile, the cheques are in the same leather wallet I use for the cash pool when actually running the booth. This may or not be a good plan, and mostly means I may need a means to keep the cash separate from this wallet while running the booth.

Work Progress

Bit of research into scanners for the Studio. I need to walk through Studio current and note the make/model of the one I've got, which is a Hewlett Packard scanner.

Cheque written, checklist completed, all inserted into envelop for the Micanopy Fall Festival application. To be put into the mail tomorrow. Thus I can check off something on Studio paperwork to do.

Sunday Progress, Not Studio

Other than walking through did nothing in Studio. No mat cutting, no backing board cutting. All the chores for the day involved Ranch. Now, that is a good thing too, because now we've got one more chicken tiller unit. It's not complete, still needs at least two hatches cut in and mounted, one in a side wall, one in the top. It is a 1.2 wide and high by slightly less than 2 metre long unit, so a good size for a rooster or two, or a rooster and a couple hens.

The top is the new, heavier gauge wire fabric and that wire does not cope well with being bent to wrap around things. So from here out, perhaps some wrapping but mostly the tops will be put on with cage clips. And, after I use up the last of the lighter gauge wire bottoms (already cut) it will be the bottoms as well. I think I might be able to get away with a single bend-over to help, but no twist cinching. Even with a single bend, it will require clips.

Art Work, Art Show Related

Hospital is hosting a Nurses Week exhibit of artwork by nurses who work at Hospital. It is a few hours long exhibit, one day only, and only an exhibit. No sales to take place. I brought in Last Transport to Clarkesville for display.

More Progress, Some Studio

More matting done, and as much as I'm going to get done, probably, before the weekend show. I'm off Hospital on Friday, but that's for Ranch chores and then setup at the site. Saturday morning off early to finish setup, and do the festival. I've brought the matted pieces to the House, with labels for the backs and sleeves for the pieces. It is another 10 pieces to add to inventory. Not a lot, and still good.

After the festival, time to break down the Mat Station for a bit, and clean up for a couple shoots.
madshutterbug: (c) 2011 by Myself: Zone VI 8x10 view camera (View Camera)
I'm working on two applications for Autumn weekend festivals. The lead time for most of these is such that yes, in the Autumn I'm working on the Spring, and in at least late Spring I'm working on the Autumn. At any rate, after going through the process for one of these in the Spring entirely on-line, I'm perhaps a bit jaded. Or some other word. Anyway.

Both Autumn festivals are juried, as in they want to see samples of my work and of the Booth before inviting me in. For one of the two Autumn festivals, those samples may be submitted on a CD, the other however needs hard copy prints. And I'm... Hard copy? Really? And, I sell hard copy, folks, so you're getting potentially sell-able examples of my work (not that on a CD, or e-mailed, or via the web isn't as well).

Still, they're printed from the JPEG versions I use to put on-line for this purpose, so in one sense quality is limited. And, it is practice figuring out how to print using the new Mr. Printy which is important for other Studio 318 Booth related projects, so hey, all good, yes?
Still, there's that interesting, curious feeling. Hard copy? Really?

The other project is printing and packaging for sale Art Greeting Cards, which Herself and I started discussing about this time last year. With a year under the belt of Thinking About It, seems about time to actually be putting together some product and part of the concept is we can put together product pretty much all from here in Studio. No need to hire out printing, we can print our own.

The size prints that the one Autumn Weekend Festival want is on a par with the larger size greeting card we plan to offer. Basically, take a 21.6 by 27.9 cm sheet, fold in half on the shorter axis, and one now holds a 21 by 14 card. Print appropriately and the artwork is on one face of the fold, and information/credits on the opposite face, outside surfaces. Package this with an appropriately sized envelope and price accordingly and c'est voila, an Art Greeting Card.

I doubt we'll put much into Inventory by the next weekend festival (not this coming weekend, next after that), since I also want to replace matted inventory and we've more material on hand for that than we do for the cards. Still, it's good to see that A) we selected and purchased a good printer for the project and B) it is going to pan out, at least the production end.
Prices per card will be on the order of $2-$5 US, with the higher end price being a limited edition run as well as larger cards. Some of the pieces we've photographed will work quite well for smaller cards. Figuring out the printing logistics is not difficult. However, it does open a window on another problem, do I need to re-invest in an application or am I going to be able to do this with current applications.

Current applications does not include software that is so old it no longer runs in the current operating system. That's a different rant, however, about planned obsolescence and all, and I'm not going there today. So far, what I'm working on uses one of the sub-portions of Open Office which is free software, and I do recommend it after using it for a couple years now. At least the word processing and spreadsheet portions, and I use them a good deal. There is a drawing program as well (haven't opened it at all), a presentations program (vis-a-vis Powerpoint® from the Evil Empire) and a data base. I've studied the latter a bit, and the presentation program as well. It's been a while since I've done any public speaking or other teaching using a presentation. However, I think this one does a good job as well.

On the other hand, while it contributes a bit to the ability to print images, it isn't, per se, the best manner to go about document creation and printing. Based on past experience, neither is a word processor, believe it or not. Even though most word processor applications do provide a means to organise and print a document in a manner reflecting a published work, I've found that moving to applications that specialise in document layout is a better route for that.

Which is why I am considering should I upgrade one of the few applications from Microshaft I've ever felt they did a good bit in providing. Powerpoint®, Excel® and Word® dominate the market, though current news indicates that lead is slipping. I've little use for Word, in fact I use it so little and mostly work (as in Hospital) related that it is easy to dismiss on my part. The word processing in Open Office much more meets my needs and expectations, which are based on another major word processing package, WordPerfect®. And it's free (Open Office). Ditto for Excel®.

I got much better with Powerpoint®, and still see that as being one of the standards to reach for. Doesn't mean I like it. Nor did I ever purchase it; again, a big portion of my using this application related to Hospital.

I've very little use for Access® and I've also used that fairly extensively (guess where? Clues above!) and again, not on the planned purchase list. The data base app in Open Office is more akin to dBase® for those who've worked with such applications. I cut my data base teeth on Paradox® which originally Borland published, then sold over to Corel to include in Perfect Office (their response to Microshaft Office).

Publisher® from the Evil Empire, now, that one they did some good. Much more affordable than the Big Name in Publishing Software and with pretty much all the features of that BNiPS and even a few more that it didn't include. However, I'm not sure this Spendthrift Offspring of Unmarried Parents is in the mood to provide any more funding to the Evil Empire.

Not when there are (still unexplored) alternatives currently here on my PC.

Meanwhile, the metal is going up onto the roof of Big House. We are closer to the new roof being done, and it is good.
madshutterbug: (c) 2011 by Myself: Zone VI 8x10 view camera (View Camera)
Roof Metal and More

Roof metal delivered for the roof replacement on the Big house. Driver got stuck in our North Central Baja Jorja sugar sand, but not permanently. Offloaded about half the metal on his trailer, which lightened it enough to get unstuck, then reload our delivery to place it where we want it. Then I helped him reload the other portions (deliveries to two other locations), and he left. Got to play with heavy equipment, at least sort of in that I didn't operate the crane, did help guide the loads.

Light feeding after that, because we need our feed delivery. Actually, a light feeding for myself as well, because I needed it. Hogs fed fully, goats got light. Waiting for delivery now. That's more Ranch related, of course, however as this artist lives on the Ranch, it does touch on the State of the Artist.

Burned to disk backup the bundled software I received as the Wacom Bundle after purchasing my Intuos tablet, and also the PS Elements 11 on a separate DVD. I am still thinking seriously about installing that on Herself's PC and installing the full version upgrade on mine. Note: on the other hand, I've been working on learning Gimp with the thought that I might not purchase an upgrade to Photoshop. We'll see.

Feed delivery came in while Herself off on some errands. All available cow feed now stored (short four bags). Horse covered, along with bird, and four barrels of goat stored. Fifth is stacked on pallet in trailer. Two barrels of hog are stored. This constitutes moving around something like 900 kg of feed. Chicken Eggs collected. Dogs fed. Now to feed me, I guess.

Rain Saturday

So, a quiet morning. We notified our regular customers that we wouldn't be setting up the Booth, and Herself would be there for milk deliveries. Did manage to get the Horses and Hogs fed. Goats complained as they always do when it rains. Paused inside Studio 318 after starting out when the rain started just as the Bros and I got to Studio 318. Inventoried frames available and on hand, noted with and without glass, noted hangers if any, brief notes to type of frame with a very short description.

This is another interesting aspect about running a business to me. I am not counting these frames yet as inventory in terms of value on hand for income tax purposes, yet I suppose I should be since they do comprise Cost of Goods Sold for framed pieces. Some of these frames were purchased at various retail outlets over time, and may or may not still carry price tags. Some were gifted to us, by Mother Mary. Most I acquired from yard sale vendors, in a lump purchase so the price per frame is really vague. Some of the latter I could apply a price tag to based on my appreciation for the materials and workmanship in the frame. A few may be 'withdrawn for personal use', though I am more interested possibly in selling them to myself (actual transaction at this point, like really taking money out of my pocket to give to myself and record as a sale).

It's also interesting in that I felt a certain anxiety going through the recent push to increase framed pieces for show, asking myself do I have enough frames.? Asking how many frames do I have, what sizes? Turns out I do, yes, and probably don't need to go purchase more for a while. Except, of course, for those odd size pieces...

Still, now there is a quantifiable handle on the available frames. It can be sorted by size, by does it have glass already, does it have hanging hardware installed. Hardware can always be moved, but sometimes it is handy to know there is a frame ready to go (glass and hardware) in a good size and orientation for the piece I'm looking to frame.

Hospital
Worked a weekend shift yesterday evening, mostly a steady busy nearly all night though it started off slow shift. Being part-time these days, I don't normally ask for a day off during the week when I've a weekend shift scheduled. Used to do that, in part because Hospital wants to control how much overtime they are paying out, in part because I need the time off from Hospital to work these two other jobs (Ranch and Studio). With more days off on a regular basis by being part time, the overtime problem is non-existent. There is still some available time during the week, simply less on the weekends. Still, I'm finding myself to be feeling more ... jealous isn't really the word, probably protective is of all the time I usually no longer sell to Hospital for one or the other (mostly Studio) of those two other jobs.

As is often the case, I am somewhat tired even after sleeping a fairly consistent nearly eight full hours. First mug of coffee is into me, along with morning vitamins and a snack bar breakfast. It is Sunday, and I need to consider the weekly State of the Artist posting I committed to doing as part of developing myself as an artist and promoting my own work.
Self-promotion is one of my harder things to work on. Hardly that I feel shy, nor even particularly humble. It's more how my parents raised me, I think. We are supposed to simply focus on what we do, doing it well. Someone else will notice and sound off about it.

Ah well. About time to go deal with those goats this morning, the ones that didn't get their supplemental feed yesterday because of the rain (they won't come out of the barn anyway, because it's wet, and goats hate being wet). Mind you, I did see them out in the periods between active rainfall, munching on the hay we've provided...

Edited to Add @ 18:08 local time:
Really not much to add except some time in the past two hours the pressure switch on the well head failed, which we discovered in the past 15 minutes. And (oops or of course, take your pick) the box I thought to be my replacement backup? Actually holds the previously It's Dead Jim pressure switch. Apparently I never did go get the backup. And, of course, this is after all local to the Ranch hardware stores are closed. Home bottled water it is, for tonight, and no hot soak in the tub for the Artist.

Up early tomorrow, off to the Ace Hardware for replacement(s).
madshutterbug: (c) 2011 by Myself: Zone VI 8x10 view camera (View Camera)
This past week felt slower, rather delightfully considering the build-up to the Spring Arts Festival. Mostly I've covered some of the Ranch things which need covering and which we postponed temporarily for the Arts Festival. One of those items didn't occur this week, it should though tomorrow. We both helped out some friends who need it, our partners in the Farmers Market booth. And other routine chores around the House.

Today with the weather being rather wetter, I worked inside Studio 318. Matted two of Herselfs pieces for inventory, framed another for her personal use, and framed up a piece which sat there waiting for quite a while, I am ashamed to admit. It is a piece from the Healing Art series and this particular copy goes to the friend who helped create it. In the long run, this is part of the plan, that this one copy, in the frame specific because it hung on the wall for the making of the original source, would go to her to hang in that same place.

Now it can. Tomorrow, though, since it's raining now.

Recursive Series #1 )
madshutterbug: (c) 2011 by Myself: Zone VI 8x10 view camera (View Camera)
The 44th Annual Santa Fe Spring Arts Festival started for me on Friday past, when I went over to the site to set up the Booth Pavilion. I transported only the 'physical plant' as it were consisting of Pavilion and Weather Walls, Art Sidewalls, the folding matted work stands, a folding chair and a bar stool I usually use in Studio as a posing stool. All of this fit into the back of Sydney Subaru Outback easily. Check-in and Setup took a total of two hours, no worries.

Saturday the show started at 09:00 so the day started early. I needed to be there at least two hours before opening to hang selected framed pieces and set out the matted stock. Plus, given how late I got back to the Ranch on Friday and evening chores, Saturday morning involved loading Sydney up with the stock and with the lunch cooler and Office. No worries, though, as it all timed out well. Even with more and larger framed stock, moving the items into the booth and getting set up accomplished with a quarter hour to spare before Opening.

Sunday the show starts at noon, so that several churches located on the street which becomes the Festival may conduct their services without the crowd there. I still went over fairly early to gain close in parking, then walked over to my friends A & K's place for morning coffee and a visit. Once again, I still got all our stock moved back in and set up in plenty of time to sit and eat my lunch before opening. This even given that rather a good number of people either didn't read the publicity about the Festival opening at noon, or didn't care and came early (by maybe a half hour or so).

I made notes on two old and retired Framed Piece Cards via pen, so as to conserve battery on the iPhone. Saturday this truly proved a good idea, as at least two sales on Saturday used the card reader. Sunday all sales transactions involved cash. I could well have used the phone for other things a bit more such as making notes. I'm not disappointed in what I did, however, and do now have two days data of such usage with the new phone, plus the various incidentals I did conduct for how much charge I'm likely to use.

The notes covered things about the Booth itself and the variations put into effect this show, for continued quality improvement shall we say. I also kept quick notes as it were of the people I know that stopped by the booth, at least to say hello. Based on those notes, 19 people I know (plus associates) on Saturday and 23 plus associates on Sunday. I don't know the overall attendance figures for the show yet. The press release estimated a potential 100,000 and based on previous years, that's a safe call. People come from the entire North Central Florida region for this festival. The crowd proved pretty steady and full both days, with some slower periods, and based on prior experience with other Festivals and Ren Faires, a good turnout.

We use some medium size PVC tubing to help support the Art Walls across the top, and we've been thinking this needs some modification. The 'back' wall will be the first we try this on, since this time around I didn't secure that wall to both sides of the pavilion. This provided our back door, and extra stock plus the folding chair sat out there. However, the lack of tension on both edges affected how well that wall could support hanging artwork, so we'll try a couple things here. Using the larger framed pieces as display we could easily add 2 more folding mat bins or the racks for the Greeting Cards, Magnets, Calendars that we're contemplating. Or even on those shows where we can bring Herselfs jewelry, that rack. Depending on which, the back wall even as we set it could do.

I do need to add a Pole Rig to lift the back wall as the sun fly. Do not need to add any more materials, other than the rigging.

We changed up how we do our framed piece title cards. The biggest problem we've had with the other style, post-card sized cards taped to the pieces, is that even light breezes can flap those around enough to fatigue and tear the tape. This time we used business card stock, and put those cards into pin-on holders we purchased at our local business supplies store. Worked very nicely, looked professional and consistent. During the show, though, I thought to print on the back side of the Art Piece Title Cards our Studio Info - Both our names, web site URL, e-mail, though maybe not phone number. PO Box address yes. Then when a framed piece sells, the card goes with the piece. (Possibly print two cards for each piece, the second with Sold/Date on it and that card stays with us.)

On the business side, this weekend we made enough sales to cover Jury Fee, Booth Fee, Petrol to and from (2 vehicles, since Herself also helped our friends and partners with the dairy goat herd while B was off showing most of the dairy goats in a major show – she did really well too!), and while I've not figured out the total sales tax due the Tax Man, that too... and some on top of that. Not a lot, and yet it is profit! Woohoo! Perhaps this means the economy really is turning around (not holding my breath) since (at least this past weekend) people felt like they could dispense some Fun Money on Fun Things (Art). At the very least, we covered expenses.
Granted, with the Festival being a local one our overall expenses are a tad lower (no Lodging, no Food since we are close enough to spend the night in our own home). It is still nice to contemplate a show where for the second time we made expenses, and for the first time a wee bit more.

Herself got to wander through the Festival more than I did, which friends who work any sort of weekend festival or con show will understand. I may have been able to do more wandering if we didn't also provide the support to our friends and partners, and I am happy with how things turned out. After all, I pretty much ran the place solo on Sunday and at least half the day on Saturday. I did make use of a 'booth-sitter' on Saturday. Booth-sitters are a nice concept I've now seen twice in weekend art festivals, where volunteers working with the agency putting on the show are available at reserved times to sit in ones booth while one then gets a biological break, or lunch, or just walk about the Festival. I figured I'd use the second booth-sitter pass on Sunday, but didn't get a chance to turn it in and no one came by to pick up.

Summarising then, the Business side qualifies as a Very Successful Weekend, we enjoyed meeting some more artists & artisans who were our neighbors in the Festival, a good turn-out for the attendance. Enough slow time during the Festival to look at the Booth setup (now a full year in working mode) and evaluate what is working well, what is working and could be done better, and note some ideas how.

And a goal accomplished. I remember well, arriving here early in 1977 and being taken to the Santa Fe Spring Arts Festival by new friends, looking at the show then thinking the quality of the show and art to be really good. Also thinking, one year I will be one of these Exhibiting Artists. Now I am.
madshutterbug: (c) 2011 by Myself: Zone VI 8x10 view camera (View Camera)
Because This Got Long - Framing and Packing )

On the Subject of iPhones )

And we'll see how that goes.
madshutterbug: (c) 2011 by Myself: Zone VI 8x10 view camera (View Camera)
We've been out to do an abbreviated rounds this morning, earlier than maybe usual, because of the weather. Storms rolling in. So the hogs and horses are fed, and birds fed and watered. Goats didn't even come out of their shelters, though they did complain a bit. That could be why were other animals getting noms and not them, or more likely 'Do something about the weather, Human.'
Because, of course, that's our job.

I've also started the laundry, a normal chore for this day. My plan overall is to head over to Studio 318, even if it is raining by then, to keep on working at mounting, matting, framing until I can call it quits. There are at least two more larger pieces I need to frame, and one of those needs a specific size frame. That one is sort of a fun story. The mat around it came out of one of the used frames purchased at a yard sale. Mat works very well with the piece (Herself's Mermaid Dreams). Frame the mat was in not so much, so it's gone to another piece. Thus, need a frame.

The other piece (Zen Garden, one of mine) is a square composition, so needs a square frame. I've got a square frame, no glass for it though and it is a bit bigger than the mount that Zen Garden is already attached to. Might still use it, that's one of the things I'll look at this afternoon.

All of these pieces are out of a batch of photographs we'd mounted onto 40x51cm backing (16x20 inch) for Camera Club #1's monthly show/competitions. Everything framed so far, or waiting for a frame, is a print in the range of 28x36 cm (11x14). Since it's nearly two years since we've been active with Camera Club #1, time to get some other use out of these pieces. Plus, the ones I'm framing up first are 'larger' pieces, or in one thought pattern bigger eye candy to bring people into the Studio 318 booth.

There are a lot of pieces waiting for matting as well, only a few of which are in the 28x36 range. Matting is good, as that rebuilds sale-able inventory. Something that is 20x25 cm (8x10) will mat up to 28x36 cm and a frame that size starts to be big enough to attract interest from a distance. There are a few pieces in inventory now that are framed to 20x25 (a 13x18cm or 5x7 print). Likely I will leave them there, however not hang them until or unless nearly all the larger is sold at an individual show/festival.

However, none of it gets done by itself. This may not be my favourite aspect of photographic art, and yet it needs doing. I am minded by this and other things on the docket of the lesson from my first art teacher, Dad. We discussed Michaelangelo's work, specifically his sculpture since that was Dad's main passion. Dad made the point that he'd spent time learning stone cutting in a quarry, learning technique for removing pieces and bits of stone from a block to achieve the piece he visualised and that likely resided within the block.

Sometimes, art is nothing other than hard drudgery type work.

It being that the rain is currently stopped, Houdini and I are going over to Studio 318 to do some drudgery.
madshutterbug: (c) 2011 by Myself: Zone VI 8x10 view camera (View Camera)
I've been thinking, in the back of my mind, based on previous experience with my earlier Epson ink-jet printer that printing our photographs would take some learning time on the new Mr. Printy (name stolen shamelessly from Ursula Vernon, known as ursulav over on LJ. Stolen because hey, I like that name.)

Three copies printed, didn't take long, spent time after starting to print getting the Border Collies dinner ready... probably done printing long before I fed them. The last one I sat here while it printed. This is from the Open Office Presentation program, since I put text onto the page as a flyer. I still want and need to try printing from, say Gimp. To see what the difference may be. However, as I said, that was easy.

So yes. I am going to need to acquire more paper. Only down side, this won't print big prints. However, on the other hand, some of the Epson paper (the paper I'm working with now) might work for the greeting cards, sized and oriented appropriately for the page to allow folding.

In other news, we felt the Big House shake briefly yesterday evening, the sort of thing a large explosion or a sonic boom (such as when the Space Shuttle would land, eh) might do. Or, yanno, big thunder, but we didn't hear much, certainly no thunder. Multiple possible explanations on the local news today:
- A sonic boom produced by a meteorological phenomenon involving the fronts moving thorugh
- A sonic boom possibly generated by military aircraft conducting maneuvers over the Gulf. The local TV channel contacted the military about this, and the answer is yes, no details, classified.
- An astronomer associated with Local University says it may be a meteor breaking up catastrophically, as same astronomer was looking out over the Gulf last night with telescope and did see a flash.

Take your pick. However, today Houdini wants very much to be under my feet as much as possible, and didn't eat all his dinner. Both behaviours are consistent with him feeling an incoming storm. And our weather forecast for the next couple days includes storminess.
madshutterbug: (c) 2011 by Myself: Zone VI 8x10 view camera (View Camera)
Been a busy week, and not necessarily with art however one must get things done for daily living. Daily living on the Ranch includes things y'all might not need to do overall, and that's fair. However, time managed usually results in projects completed and this week saw the completion of a start, and a start on a completion.

I've needed a new printer for a while. I still do in one manner, because I'd like to get a printer which will allow me the ability to print up to 11x14-ish pieces or slightly bigger. I opted for one a bit smaller though, an Epson Artisan 50, simply because first make prints and put them into inventory, then look at making larger prints. For really big prints, I still plan on taking the images to Flair Lab, my local professional photography processing location.

Got the printer a month and a bit ago, actually, and needed to re-do the shelf platform where the printer would live. Got that done this past weekend after the jaunt to Tampa, and the printer installed and even tested by Thursday. Haven't printed anything else since, which is the next step. If this works like learning to print in a darkroom worked, I expect I'll be burning through some paper and ink before getting acceptable results. I'm OK with that.

Part of this plan will be printing things like card sets for small easy priced items in the booth. Even so, I can print up to 8x10, and am starting to shop for paper. Did get paper to get started, don't get me wrong, and that paper is sized for the card printing project. Need slightly bigger paper too.

So, that's the completion of a start, printer shelf and printer installed. The start of a completion is cleaning up a passel of used frames I've purchased at yard sales, and starting the framing to replace stock sold. I've two weeks before the next weekend art festival show, and these pieces need to be framed by then. Plus, perhaps, a couple new pieces. We'll see.
Missed one of the local shows I put on the list by mis-reading the notice from the group and working on the premise that weekend event to be in June as it has for a number of years running. Um, not so much, actually took place yesterday. Oh well. Not sure I'd be ready if I had read things correctly anyway. Still...

Now the Bros are fed as well as the evening Ranch Rounds done. Dinner preparations are under way for this evening. Time to get this posted and go be a couch potato for a wee bit.

Oh, and Happy St. Paddy's Day!
madshutterbug: (c) 2011 by Myself: Zone VI 8x10 view camera (View Camera)
Nude Nite the Show proved not terribly hard to fine, though not terribly easy either. I used the Maps on the iPhone, pinned the location, then guessed at an exit which didn't exist. No matter, off at the last exit before the I-4 to I-275 interchange and south some blocks, and lo the street to which the address belonged, turned left and progressed and knew I'd found the place when the traffic stopped waiting for parking and the picketer preached the Gospel at those who walked past to gain entry or leaving.

I availed myself of Valet Parking, and am glad I did.

The Short Version, a Really, Really Awesome, Delightful, Elaborate, Sensual and Artistic night, after which and while I slept a monstrous human idiocy occurred )

Here is when I really appreciated the decision to use the Valet parking; they'd already pulled the vehicles for those who had, and were clearing their work, out and ready for us. Into the car, and onto the road, back to the hotel. Slept fairly well, totally through the Monstrous Human Idiocy that transpired at 02:00 wherein DST: Daylight Stupid Time 'Sprung' ahead.

This is the first Show, as opposed to Weekend Art Festival or Con Art Show in which I've been represented since my freshman and sophomore years in college when I put pieces into the Aquinas College Spring Arts Show. Will I try again next year? Oh hell yes.
madshutterbug: (c) 2011 by Myself: Zone VI 8x10 view camera (View Camera)
It is becoming real.

Today I took the framed print that is going into the Nude Nite show in Tampa (March 7, 8, 9 this year, and this link opens with an interesting short video) to the UPS store to pack and ship it along to the show. Part of the lesson here is pack the bloody things myself, though it's not a big thing for this particular instance. Still, I do know I can get the boxes there for art shipment, and that's a good thing.

It will arrive in Tampa (all goes well, and such) tomorrow, well before the deadline for shipped art to arrive in preparation for the show. I'm definitely not going for all three nights myself; neither going to spend that much on a hotel nor ask friends to put me up, given that I'd likely be getting to houses for sleep after midnight.

Besides, there are Ranch things needing doing as well.

I am thinking seriously about going for the last night of the show. Herself thinks I should. After setting up for the shipping today, one of my potential excuses for not going (cost of petrol) is out the door. Won't be saving that money by shipping an unsold work back. So it's mostly the cost of an overnight hotel stay to look at here.

Meanwhile, back at the Studio, we're still in Mat, Mount, Frame configuration. Except I've not gotten really started on that quite yet, other than sorting through the pieces we'd mounted for the NCFPC monthly competitions, before they converted to digital projection. Both of us (now) are leaning to larger prints for exhibit in the Studio 318 booth. I've always liked large prints. For the few classes I took, back in the sophomore college days, I considered 11 by 14 a nice size, 16 by 20 better, 8 by 10 small and 5 by 7 tiny.

Initially Herself thought that matted and framed 8 by 10 prints would be good sizes for exhibit. After looking at the other artists in the Winter Fine Arts Festival recently, she is on board that bigger in this case is better. The eye candy draws them in, it's the bait on the hook.

But. Still catching up with some of those necessary Ranch things, following a not terrible winter season (yes, still winter here, I know, and yes, it's milder here than elsewhere, yes) which none the less resulted in some freeze damage in a couple places.

And rooster houses. Well, chicken tillers, really.

Still, as Herself said to me a couple weeks back: four for four in the first four months for shows. Sales at the first two. And now, the print invited to a big deal show in Tampa is on the way.

There's another Con show I've gotten an invite/suggestion to, and Another Con is on the list of potential shows. It's another mail-to show, and more details will follow once I get those things rolling. Thing is, that show is in April as well. This would, then, be five shows in the first four months.

Considering that my goal for the year is eight shows, stipulating this happens, by April we'll be 60% of the way to accomplishing that goal, with eight months left to fulfill it. Eight months, and another five fairly certain weekend show festivals to be in.

Now all I need do is get a better handle on balancing Ranch/Hospital/Studio time, with an increase in image creation time rather than catching up with inventory time.

Could be worse problems to deal with.
madshutterbug: (c) 2011 by Myself: Zone VI 8x10 view camera (View Camera)
This is a follow-up post to earlier today, about the GFAA Winter Fine Art Fair, wherein I mentioned five pieces sold. But, which pieces?

Read more... )

Summer Tea is from my series on the Fae, specifically the Four Seasons in One Fae. Though there are two in Summer Tea.

Saturday, Mitre Peak, Milford Sound 2001 )

One of my favourites from our trip to NZ.

Sunday Morning, Two!
Foggy Morn )

This is the same one which received the award this year at Necronomicon's Art Show.

Basket, Bench, Bucket )

From Dudley Farm State Historic Park, though the print which sold is done as B&W. I am not at all sure I will continue to print this one in colour; I think it is much better in B&W.

Sunday Evening, One
Balance... Potentially NSFW )

Balance is a light painting. This is a technique I am not done yet, though the last time I tried the results proved not so delightful. However, I am quite sure I've figured out why, and need to do this again.
madshutterbug: (c) 2011 by Myself: Zone VI 8x10 view camera (View Camera)
Short version: officially a fabulous show.

Winter Fine Arts Fair Report Follows... long-ish eh )
Took a hot tub soak. Went to bed.

Will unpack the Subaru today, do inventory, wrap up that sold framed print for delivery tomorrow, and do that after feeding the Ranch this morning, along with attending to that one hog water point.
madshutterbug: (c) 2011 by Myself: Zone VI 8x10 view camera (View Camera)
More Flickr
Thursday past I started that bit about re-organising the Collections and Sets. The collections part makes things a bit easier, cleaner looking on the Photostream view. I've got five parent Collections: Idunkno, People, Places, Sketchbook, Things. Other sets and some Collections are moved into those. Collections may hold Collections, or Sets, so some of the parents hold collections to further move things along. Places, for instance, holds collections with state names which hold sets of photos in those states.

On Friday during some slow points at Hospital, I further moved things along, moving sets at that point. Looks fairly good this morning. Yesterday (Saturday) not any time at all on line other than via Smartphone so no work done at all. This morning, I worked on the Mosaics (thumbnail preview) for some of the Collections.

MarsCon
The first show of the year to which I submitted works took place last month in Williamsburg, VA (link to site? As I write this I can't connect, not sure or the problem MarsCon). Been following the FB group on this, even though as I said my attendance proved more in spirit than flesh. Friday my package of art arrived home (pre-paid self-addressed). Glad to see it, since this grouping may simply get re-packaged and sent off to another Con art show.

Thought to myself when I pulled the box out of the mailbox that this is the second year I've sent work off to MarsCon so if the trend (based on a statistical sample of one Con) holds true it will be next year if I do sell something. I'd read in the FB group that the Art Auction did well this year, with a lot of pieces going from Silent to Open Auction. Cool, great, and I still figured trend, three years, no sales.

This proves not to be the case.
The package came home one print less and with a check.

::Does the Happy Dance::

Mind you, still not covering expenses here. Not counting the expense of printing each piece, as that comes out with the sale of any individual piece. Counting Art Show space fee, and postage/shipping there and back. Still running in a hole on that measure.

But (and grammatically, But nearly always negates whatever someone stated immediately prior)...

I made a sale!

::Does the Happy Dance::

For those interested the image which sold behind the cut; I was asked recently why someone wouldn't be interested. Well... dunno. Obviously I am. However, some folks I know who read here, their children were quite young when they started and they appreciated the cut and notice about nude art. Some folks read at work, and work may not be totally friendly to such. So, that's part of why.
Dryad Blessing, Not Safe For Work Depending on Various Definitions of Safe and/or Work )

This week is a preparation week for the coming weekend. The GFAA Winter Arts Festival at Tioga takes place Friday evening and Saturday/Sunday day. Preparation involves setting up the pavilion and checking on pieces and parts, and I need to add grommets to all the fabric display walls since that will help support the framed artwork hanging to entice people in. Some of the longer term projects won't be anywhere near ready, and that's OK. I also hope (not counting on) getting some more pieces matted and mounted and sleeved for the general inventory.

GFAA Winter Arts Festival at Tioga Link provided tiogawinterartfair.org in case you're local and coming, or not local yet interested...
This weekend coming up, I've taken time off from Hospital to do this, and we'll see how it goes. A few people I've talked to who've taken part in this show in previous years said they did well in it. I feel I'm falling a bit short on inventory, as Ranch related work seemed to pre-empt time to mat and mount over the past couple months. We'll see.

One framed piece probably won't go for display, as that's somewhat promised for the March show I talked about in a previous post. Otherwise, I'll likely pack up as much as we've got ready and take it along.

On the Ranch Front
We've now caught up with light shelters for several sub-divided goat paddocks. Wind in some recent bad weather had torqued the frames so much they wouldn't work. These shelters are 'temporary' in one sense, and work for us because we move them around. They are made from chain-link fencing top rail tubes, and corner joints made. Herself calls the usual structure one sees with this system a red-neck garage, and there is some truth to it. We do need to provide some rather more sturdy shelter in one or two spots, that's a project for this year.

So. Summarising, I'm four for four getting into shows for the first four months of 2013. Already this is off to a good start, since two of those shows are juried entry, and one is invitational for members of GFAA. Adding to that good start, the first show provided a sale. Lets hope the trend continues.
madshutterbug: (c) 2011 by Myself: Zone VI 8x10 view camera (View Camera)
One of the shows that I applied for through an on-line application process CaFE 'Call For Entries' is actually two different shows, same themes, in two different locations. Both locations are relatively local to me here in North Central Baja Jorja, being more right on like Central Florida. The shows are Nude Nite so one may very safely figure that the art to be displayed features the human nude. The Orlando show is in February and I did not apply for that one, figuring one show a month (for the most part) until I get somewhat more experience, and there is another very local show I will be in in February.

The other is in Tampa, March 7 – 9 which is a Thursday through Saturday. Follow the link if you want more information, it's quite an interesting concept. I did apply for this one, to fill the slot for a March show. These are jury selection shows as well, and I submitted two images via CaFE for consideration.

Images Back Here, Don't follow the cut if you don't want to see )

Now, here's the mean part, because I'm going to mention that one image is Invited, and the other image is Not Invited. I (obviously) think both are pretty good photographs, and one of them received an award at another show. Interestingly enough that is the one Not Invited. The other is somewhat edgier, for lack of other words to describe it in mind just now, and I wonder to some extent if that's what tipped it into the selection.

In either event, the two e-mails I received (these would have been snail mail letters in years somewhat gone by, I'm sure) are both very nicely stated. The Not Invited is polite, assures me the art is creative and expressive quite a bit of energy involved and is very much form letter, as it then says:
"It is with regret that Nude Nite cannot accept every artist and must respectfully decline your work(s)."

Plural. Which is amusing because the other e-mail, the Invited one, is similarly form letter: "Thank you for submitting your work(s) to the Nude Nite Art Show.
Congratulations! One or more of your work(s) has been accepted to exhibit at..." the posted show times.

Anyway. I'm in with at least one photograph. Which means I've now got evidence that two different juries think enough of my work to select me for two different shows, even if one of those juries didn't like all of the work submitted.

I'm also a-chuckle over another part of the So Sorry letter which tells me that the people running the show do want to encourage those artists not selected and so as an artist who submitted work, I will receive a complimentary one-night pass to the show. Mind you, as a Selected Exhibiting Artist I also receive (according to the other e-mail) a lanyard with name badge as an Exhibiting Artist which grants me admission to each night of the show. Um, before anyone gets real excited about maybe getting to use one of these, apparently I need to show photo ID for the Exhibiting Artist one, and neither one are transferable.

There is no additional fee to be paid to the gallery for showing; the gallery will take a 40% commission if my piece sells. Frankly I'd planned on that and increased the price I'm asking for Kitsune Out of the Storm. I'm asking myself at this point if I increased it sufficiently, however, as I look at the logistics I'm facing.

Initially I'd planned on driving down myself, with the art, and then potentially staying to see the show as well. Some of this included a big assumption, that my work would be either in or out, and totally didn't look at some of my work would be in and some, not. Plus, the specific date for art drop off isn't in any of the preliminary application info (the dates for the show are, not this date) and it turns out to be one day earlier than the time off I requested from Hospital to attend this show. Hm.

Plus, there is a good chunk of work (there is always a good chunk of work) to be done here back at the Ranch. And I need to take time off from Hospital for that as well. And even if staying with friends rather than in a hotel, the show hours are evening hours (one description for this show is A Ginormous Cocktail Party Art Show) from 6pm- midnite. I am not so rude a guest to want to come barging, even quietly barging, into friends homes when they will need to be up early the next morning to go to work. Which means more likely to stay at a hotel or motel nearby, and three nights of that, plus Ranch Needs Work...

So I'm now looking at shipping costs for Gallery Ready Artwork (framed, glassed, wires mounted for hanging – which Kitsune Out of the Storm is already having been in one show). The show will want return shipping included, but if I'm going down for the last night of the show, I can pick up my (presumably unsold) artwork at closing time. There will probably be some query messages inquiring about this.

All part of the process of learning how to do shows.

And hey, as Herself said, for the first four shows on my list for 2013, I'm four for four (say that seven time fast...)!
madshutterbug: (c) 2011 by Myself: Zone VI 8x10 view camera (View Camera)
I mentioned I've not been doing much creative work on new pieces recently, what with the end of year push for shows, and start of the year push for shows, and... anyway. Some time ago (like, '01 or '02 no later than '02) I acquired a copy of Adobe Photoshop® 7. Initially this came my way as work-related software, so purchased by my employer (Hospital) related to my Perioperative Nursing Informatics work (as in working with photographs made at work, to be included in Doctor's Preference Cards, something that doesn't matter to anyone else here and apparently not much at Hospital just at the moment either).

When the software became officially outdated (as in newer, shinier versions released) Hospital surplussed it off to me as used software. So it's all official, and registered, and such. Over time the software quite happily contacted the Adobe website when I started it up, and over time Adobe quite happily provided version-specific updates. Until recently. As in, the past five to six months. Aha, said I to Myself, Myself Adobe will soon stop supporting this perfectly functional but industrially old software and then it will suddenly stop working so well.

Yup. Yesterday. Today. Opened up two files...

This is sort of a sidetrack, and yet it's something [personal profile] ysabetwordsmith posted that got me working on this specific image. It is another composite piece, and part of it is provided by NASA via the Hubble Space Telescope. [personal profile] ysabetwordsmith was talking about stock photo sites (this link opens another tab/window), and mentioned NASA as one of them particularly for science or science-fiction related images because it's really hard to beat real space photos or real spacecraft photos.

And I went to one of the sites I use to get Hubble Space Telescope photos and discovered a couple other things (Google Chrome® doesn't handle downloads from that site so well, Safari® does, I've got no idea what micro shaft IE would do with it), and started working with these two image files. One from NASA. One from my Studio.

And Photoshop® 7 didn't even burp when it tried to find download update site, just said couldn't find it. Then, while working on the layer mask to reveal layers behind (non-destructive editing of an image is a good thing, and subject for a different post), I interrupted myself to go attend to laundry. Saved the file before leaving, came back after about a half hour pause and...
Photoshop® 7 couldn't reveal on the mask any more. Instead, it drew on the mask.
Reboot the application. Same problem.

Reboot the PC. OK, now Photoshop® 7 could reveal on the mask again. Until after the next laundry break. And again this morning.

::sigh::

Version 7 is actually a perfectly good bit of software. And it worked just fine until it could no longer talk to the Adobe site. AND, I am just cynical enough to think that possibly, quite very possibly, there is a connection there.
So I opened up my shiny new copy of GIMP (Free Gnu IMage Processing) and started working. Took me a brief bit to remember exactly how to establish a reveal mask, and so far things are ticking along well enough. Though it will be a couple more days (at least) before I can do much more work on this image.

And did I mention GIMP is Free? As opposed to new Adobe Creative Suite® (Includes Photoshop®) which is several hundreds of US $$$?
madshutterbug: (C) 2005 S Grossman (Stalking_Elusive_Photograph)
We've been discussing and investigating things we need and need to do to start generating a variation on a theme. So far, any of the shows or festivals we've done we are placing our artwork 'direct' as it were, the 2D and 3D pieces themselves. Given the current state of economy, and the fact that not many have a good deal of 'fun money' to use for such things as art, well, sales exist and are not brisk by any stretch.

Looking into, for that reason, ways and means to market our art, at least the 2D pieces, in a manner perhaps more affordable. To whit, greeting cards. Not a lot of visible progress to show on this, as in no greeting cards to offer just now. However, individual cards (on the size of 12x20 cm (5x8 inches, or close) are likely going to be priced between $2-3 US. Probably be price breaks at certain points as well, something that rounds down to a near number for the group.
I'm also thinking about calendars, three different themes (scenics, critters, and nudes) and potential variations on style as well.

So most of the looking at artwork this month I've done with these thoughts in mind. When I've been looking at our own work, that is, instead of procrastinating by looking at other peoples art on the Web. Or such. Still, I'm looking to try providing the first round of cards in a couple months.

This is mildly complicated by another marketing goal to mat and mount all work currently in the queue, as in printed and on hand but not mounted. I've run through that count as well, and... it's mildly impressive to myself. Hadn't realised I'd gotten quite so many prints made over the past year or two. Couple hundred if my count is correct.

Doing the mounting and matting requires a bit of cleanup in Studio to organise. Over the Holiday months things spread out a bit, between Farmers Markets and the December Winter Gift Fair we took part in, both booths. Got a good part of that done today, after the Ranch rounds.
It's an odd feeling, then, like I'm making progress, and even creative progress, despite not making any new images just now.

There are a couple potentials on that count, yes, but I've told both people involved that it will be a month or two. I really need to get that mounting and matting done, before February, and hopefully (a good problem) more in March getting ready for April. Because in February we will be showing in the Gainesville Fine Arts Association Winter Art Festival @ Tioga (a show open to members of GFAA). March is still a maybe; haven't heard from that application yet. In April there's a big one.

It's been a long-term goal of mine, this coming April. Annually Santa Fe College (formerly Community College) puts on the Spring Arts Festival in April, and it's a big deal. A lot of the artists who show are relatively local (around Baja Jorja) and quite a few come here from other parts of the country. It's a juried show, meaning ones art must be reviewed and judged acceptable before getting in.

This year I applied, and last week heard that I'm in as a Community Artist.

Wow.

::looks at inventory::

Just, Wow. Well, got some work to do, eh.
madshutterbug: (c) 2011 by Myself: Zone VI 8x10 view camera (View Camera)
Since I've not made an entry about this for a few weeks, it is about time.

State of the Artist is Better. As in I felt much worse last week. Sunday evening a week back, started feeling a sore throat. Monday, some coughing and feeling a bit dragged out. Started on Sunday evening right off adding echinacea and additional Vitamin C to my daily supplements (morning & evening for the additionals). During the night I woke up and checked my temperature, and upon getting back to bed and phone called Hospital and told them I would not be coming in to work. Spent Tuesday and Wednesday enjoying the surreal universe that involves a core body temperature of 39.0 to 39.5 C.

Fever broke late Wednesday, and my feet felt cold all day Thursday. My feet rarely feel cold unless I am doing something like walking through frigid water (with or without boots). I did get back to work at Hospital on Friday and did my weekend shift on Saturday, good thing because that being my last scheduled shift before tomorrows Holiday I would not otherwise of been paid for not working tomorrow.

So I am better, which is not to say quite up to snuff yet yes, much better, thank you.

When we last discussed the State of the Artist subject I recounted completing the Six Show Goal for 2012. I will not say (at least not without tongue in cheek) that I'm glad I planned on completing that goal before the Mayan Calendar Brough-ha-ha. Wait, I just did say that. Tough. One of the other things I learned from the Goal List is that the list requires Advance Planning. That means despite the remote possibility, since proven to be miss-interpreted by the Doomsayers, of the World Ending plans must be in place and working for the 2013 Show Goal List before the first of the events.

Long before, in some instances. Here is the list, and this year it does say Eight Shows:

Title: Show Goal 2013
Details: 8 Shows
Due: Tue Dec 31, 2013
Notes: Each Individual Show to get own To Do list
- 01/18-20/13 Mars Con (01/12/12) App Deadline Nov 2012
- Another Con (Oasis?) (More Cons?)
- 02/15-17/13 GFAA Tioga Art Fair
- 03/7-9/13 Tampa Nude Night (02/14-16/13 Orlando) App Deadline Nov 2012
- 03/23-24/13 Kanapaha Spring Garden (03/15/12 & vs Spring Arts? Booth fee $150)
- 04/6-7/13 Santa Fe Spring Arts (deadlines: 12/31/12 $20 app fee $250 reg if accepted!)
- 5/??/13 Windsor Zucchini Festival (5/12/12) App Deadline Jan 2013
- 06/??/13 Chiefland Watermelon Festival (bkmk $75 by May 5+/-)
- 06/??/13 June Yulee Railroad Days (Happening?)
- 07/04/13 Bronson 4th of July Festival (07/04/12 short notice)
- 10/??/13 Williston Peanut Festival (10/01/12 Booth fee $100! App Deadline in Sept)
- 10/18-20/13 Necromicon (10/21/12) App Deadline 06/2012
- 10/26-27/13 Micanopy Fall Festival Oct 26-27, 2013 App Deadline ? (Does not conflict with Con!)
- 11?/??/13 Autumn Downtown Art Festival submit 5/1 (2012 In October! Pricy for booth space)
- 12/??/13 Blue Oven Kitchen Winter Show Downtown App Deadline ?

Astute observers will note immediately that there are 15 shows listed (16 if one counts both venues for Nude Nite). One of the things learned last year is some of these shows will not happen for me, either the show itself not happening or something else will interfere with the show. Two of them, to be discussed in a bit, are Juried Shows, which means apply first, the Jury reviews work submitted, and then notifies me if my work is Selected or Not Selected or Alternate If Someone Else Cancels.

On to the Shows.

Mars Con (MarsCon 2013 - Rebirth! - January 18-20 2013 I hope this link works, copy & pasted from my bookmarks will happen on the dates listed there in Williamsburg, VA. I won't be attending, however some of my artwork will be. On the individual To-Do list, the artwork is already boxed with return postage, shipped, received, and the display place fee is in the mail as well (it was a wee bit delayed due to that two day Core Body Temp incident). The show itself isn't 'checked off' yet because it won't be until next (year) Month!

If you are in the area, and the link works to get you to the additional information, please do go!

The second Goal is Another Con (OASFiS?) (More Cons?) Yes, I should like to be doing more Con art shows, on the one hand, and on the Other Hand OASFisS Orlando Area Science Fiction Society's major event in May would be a good one to try, close enough to be attending. On the Gripping Hand it remains to be seen what the budget is like, and so we shall see.

02/15-17/13 GFAA Tioga Art Fair is the Gainesville Fine Arts Association Spring showing (Winter, still, really based on the dates). It is a sort of juried event; members of GFAA submit that we are interested in taking part, with some samples of our work, and then we get space or not. This is not a 'general' show in that sense, one must be a member of GFAA. As of now, we will be attending and showing.

03/7-9/13 Tampa Nude Nite is one of two Nude Nite events I've known about for a couple years now. Last year I'd contemplated submitting, didn't due to budgetary considerations, and did this year. I'd thought about doing both (each show venue is a different application) and opted for only one due to both budget and the Orlando show is in February and I'm not quite sure I'm up for more than one show a month just yet. This is a Juried Show. The subject is pretty well stated, and the show takes a moderately hefty commission from any sales (60/40).

04/6-7/13 Santa Fe Spring Arts (deadlines: 12/31/12 $20 app fee $250 reg if accepted!) is a show I've known for decades (literally, because it's been going on longer than I've lived here in North Central Baja Jorja and I've lived here for decades), and which long ago I decided I'd like to be one of the attending/displaying artists, and is a Juried Show. Since I put it on my list that long ago, I've been watching it off and on anyway and looking at number of artists displaying, crowd attending and such. My first thoughts when I ramped up on Start Showing led me to think by oh, say, 2015 or so I'd be applying.

There were probably a dozen empty spots this year when we walked through. I've discussed this here before. So I escalated the priority on when.

Both of these shows use an on-line application process. Both require samples of the artist work, and the Spring Arts also wants a photograph of the Artist Booth to be sure they are looking a a professional display. Nude Nite the two images on the application are the two which will be in the show, if accepted. Both applications require a non-refundable application fee; the show fee if applicable (while heftier) is not due until the Artist is notified they are accepted. Nude Nite does not appear to charge a fee, they do charge the commission. Santa Fe does charge a booth fee.

Both applications are submitted, and I am now waiting to hear back. That gets us through the first four months of Next Year, with two definite shows, two potential shows, and We Will See.
May we are looking at the Windsor Zucchini Festival again; we all enjoyed doing that one-day festival and we all made at least booth fee for it so for now it's simply keep an eye on their site for the application! We didn't do the Chiefland Watermelon Festival, found it after the fact so put it on the calendar for this year, and watching that site for the application as well. If Yulee Railroad Days happens this year (this one the organisers took 2012 off) there could be two events in June, both of which are one-day events so long as they aren't the same weekend, fairly easily do-able.

What remains for this year, then, is inventory to match against Start-of-Year for the Tax Man, and any routine maintenance and restocking needed.

May 2013

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